• Text Fresh Hell Outtakes and Deleted Scenes

    Fresh Hell — deleted scenes

    Deleted Scene 1B
    Brent calls his Agent
    No Smoke EFX

    Brent’s Apartment, Kitchen

    (Brent puts bagel in toaster, a call he had placed on his speaker phone is ringing)

    MAN ON PHONE:  Good morning! Innovative Talent.

    BRENT: Uh… could I speak to Jerry, please?

    MAN ON PHONE:  Ah…may I ask who’s calling?

    BRENT: Brent Spiner.

    MAN ON PHONE: I’m sorry?

    BRENT: BRENT SPINER!

    MAN ON PHONE:  Ooooh! I’m sorry, Brent. Jerry’s no longer at the agency.

    BRENT: Oh?

    MAN ON PHONE:  Kenny’s gonna be handling you now.

    BRENT: Kenny? I don’t know any Kenny.

    MAN ON PHONE: Putting you through to Kenny right now.

    BRENT: (exasperated sigh)

    ***

    (tones of phone being dialed, ringing — a voice with an obvious Indian accent answers)

    KENNY: (on phone) Thank you for calling. My name is Kenny. What is your complaint, please?

    BRENT: Compl… uh… stuh… (sigh) This is Brent Spiner.

    KENNY: Yes, Mr. Spiner.

    BRENT: I was told you’re my agent.

    KENNY: One second. (sound of furiously quick typing) That is correct, sir! I am also informing you that this call may be recorded for training purposes.

    BRENT: Uh, uh… eh. Where are you, Kenny?

    KENNY: I’m in Mumbai, sir! Well… technically, the suburbs.

    BRENT: India?

    KENNY: Yes, sir! … Spell your name for me?

    BRENT: (pause) ‘B’… uh, uh, uh… (sigh)… Kenny, uh, you know what? I don’t think this is gonna work out.

    (Brent reacts to smoke pouring from toaster — which was to be added with special effects later)

    BRENT: Uh. OH! OH! (rushes to toaster) My… gah… my… MY BAGEL’S ON FIRE!!!!

    KENNY: I beg your pardon, sir? I’m not familiar with this show business term. Oooh, God.

    BRENT: No, no, no! My, uh… my… THE TOASTER IS BURNING MY BAGEL!!!

    KENNY: What type of toaster is it, sir?

    BRENT: Uh… IT‘S A CRIPPS… SERIES 3!!!

    KENNY: Hold, please! (sound of furiously fast typing again)

    (Brent waves smoke away from toaster)

    KENNY: Sir, you cannot put a bagel in this toaster. It was not built to accommodate the thickness of a bagel … come closer.

    (Brent looks up, takes a step towards the phone, stops)

    KENNY: Closer still.

    (Brent takes another step, leans in to listen)

    KENNY: I am risking much by telling you this. I can get you a new toaster if it is under warranty…  but you cannot tell them you put a bagel into a Series 3. You must tell them…  it was veet toast. Do you understand? Veet toast!

    BRENT: (confused) Veet toast?

    KENNY: VEET TOAST!

    BRENT: (Oh!) Wheat toast.

    KENNY: If I can get your toaster replaced… can I be your agent, sir?

    BRENT: No.

    KENNY: Transferring you now, sir. (tones of phone being dialed)

    ***

    (Brent is distracted by a knock on the door as a flat Indian voice answers the phone)

    RANDY: (on phone) Hello, my name is Randy. What is the model of your toaster?

    BRENT: It’s a Cripps, Series 3.

    RANDY: What is the problem, sir?

    BRENT: It’s smoking.

    RANDY: Did you put a bagel in it?

    (someone knocks on his door again)

    ____________________

    Deleted Scene 2B
    Dakota persuades Brent

    Brent’s Apartment

    (Dakota stands outside, talking through Brent’s door)

    DAKOTA: It’s gonna be full of… agents… and I…

    (Brent opens the door, grabs her arm)

    DAKOTA: Ooo!

    (he quickly pulls her inside, closes door)

    BRENT: Alright. Here’s the way it works. You don’t tell anyone beforehand that I’m your scene partner. At least not… not until “The Incident” has blown over.

    DAKOTA: Deal. (she jumps in front of Brent as he walks away) So… you’ll do it?

    BRENT: I would be honored, Dakota. (he bows)

    (she squeals with delight, shakes his hand)

    BRENT: Yeah, what’s the play?

    DAKOTA: What play?

    BRENT: There’s not a pla… uh… oh, God. Is it porn?

    DAKOTA: No, even better. It’s a lost episode of Friends.

    BRENT: By “lost” do you mean it’s a spec script that nobody wanted to buy?

    DAKOTA: Yes, exactly. The guy in the laundry room said I could use it… free.

    BRENT: Oh good! At least it wasn’t from a stranger.

    DAKOTA: Oh no, he was a total sweetie. Although, half of my panties did go missing afterwards.

    BRENT: (softly) Let’s rehearse.

    ____________________

    Fresh Hell — outtakes


    (1) 3:19 on video

    Brent’s Apartment, Interior

    BRENT: Come on in! (waving her in) Come on in! Yeah.

    DAKOTA: (nervous giggle) Um… I… was just wondering if you would run some lines with me?

    (he closes the door, tries to stand his baseball bat against the wall)

    BRENT: Well, good for you, Dakota!

    (we hear the baseball bat hit the floor, Brent jumps a little)


    (2) 3:31 on video

    Theater Stage

    (Brent is on the floor with Kat (Dakota), sound of furniture being dragged off camera)

    BRENT: [I think he says - “I’ll cheat. Right here.” - but it‘s unclear] It’s just, I’m trying to get my head and all my reactions in the camera.


    (3) 3:40 on video

    Theater Stage, as before

    KAT STEEL (Dakota): It’s true.

    MAN OFF CAMERA: False sound. (unclear what was said)

    BRENT: It won’t ultimately be that… it’ll be “The Kat Steel Project”… it’s been a…

    KAT STEEL (Dakota): My day has come!


    (4) 3:47 on video

    Theater Backstage

    BRIAN PALERMO (Tommy): Yeah. You see, I’m out there on the edge, every day, on the cutting edge… and my business is gonna … (fumbles line) … I’m out tho… ah.

    DIRECTOR: Let’s go back to the…

    BRIAN PALERMO (Tommy): Yeah, yeah! Hell allo! How ‘bout that? Hey! Hey!


    (5) 3:56 on video

    Tommy’s Office

    DIRECTOR: (off camera): Action.

    (Tommy sits on desk, a knock on door, Brent enters)

    TOMMY: Hey ! Hey! There he is! My favorite alien!

    (phone starts ringing, interrupts scene)

    BRENT: (shaking hands) Tommy.

    DIRECTOR: Ahh, that’s a cut.


    (6) 4:05 on video

    Tommy’s Office

    BRENT: I’m outta here. I’m sorry.

    (Brent walks off camera)

    TOMMY: Fine!

    BRENT: You know what? That is the weirdest penis I’ve ever seen.

    TOMMY: (looks down at penis, up at Brent) Just trying to be hurtful. (strokes his penis gently, talks to it) It’s okay, Robespierre.

    DIRECTOR: And that’s a cut!


    (7) 4:27 on video

    Tommy’s Office

    BRENT: (off camera) That’s the weirdest penis I’ve ever seen.

    TOMMY: Not according to Judi Dench!!!


    (8) 4:34 on video

    Tommy’s Office

    BRENT: (off camera) Hey, you’ve got the weirdest penis I’ve ever seen.

    TOMMY: Oh, really? Fine. Well, you know what? This penis has been in the business for 26 years!!


    (9) 4:42 on video

    Tommy’s Office

    BRENT: You know what? You’ve got the weirdest penis I’ve ever seen.

    (opens door, exits)

    TOMMY: (calls after him) You ain’t the first to notice.


    (10) 4:49 on video

    Tommy’s Office

    BRENT: You know what? I don’t even like the word “penis.”

    (opens door, exits)

    TOMMY: (calls after him) Well, it doesn’t like you!!


    (11) 4:57 on video

    Tommy’s Office

    BRENT: If I saw that thing in my garden, I’d hit it with a rake.

    (opens door, exits)

    TOMMY: (off camera) I’ve done that.


    (12) 5:06 on video

    Tommy’s Office

    BRENT: Last time I saw something like that was at a Korean barbeque.

    (opens door, exits)

    ____________________


    Montage with music — 5:14 on video

    DIRECTOR: A cut, love it.

    DIRECTOR: Cut that, love it. Sweet.

    BRENT: What was that woid (word)? Taboo!

    DIRECTOR: Taboo, yes.

    DIRECTOR: And cut, beautiful! Love it.

    KATE CONNOR (Jolinda): That’s fine.

    BRENT: That’s great.

    DIRECTOR: And, cut.

    ***

    Song playing:

    “Lemonade“ by head popping through

    She loves lemonade
    Sitting in the sun
    Cloudy days, I see her run

    We spoke yesterday
    She couldn’t give me help.
    Former friend of mine, for mercy

    The [mall rabble]? kids
    Sitting on her street
    Passed so many times, it’s wicked

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By Peter Vidani
Theme: Papercut